MORETTO da Brescia

Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.


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MORETTO da Brescia A Saint Monk atg oil


A Saint Monk atg
Painting ID::  8285
A Saint Monk atg
1530 Oil on canvas, 81 x 71,5 cm Museum of Fine Arts, Budapest
   
   
     

MORETTO da Brescia The Virgin of Carmel ge oil


The Virgin of Carmel ge
Painting ID::  8286
The Virgin of Carmel ge
c. 1522 Oil on canvas, 271 x 298 cm Gallerie dell'Accademia, Venice
   
   
     

MORETTO da Brescia Bonaventure and Anthony of Padua (mk05) oil


Bonaventure and Anthony of Padua (mk05)
Painting ID::  20308
Bonaventure and Anthony of Padua (mk05)
Wood,44 1/2 x 23 1/2''(113 x 60 cm)Acquired by exchange with the Brera,Milan,in 1812
   
   
     

MORETTO da Brescia Allegory of Faith oil


Allegory of Faith
Painting ID::  29126
Allegory of Faith
mk65 1520S Oil on panel 40x31"
mk65 1520S Oil_on_panel 40x31"
   
   
     

MORETTO da Brescia St Fustina,venerated by a donor oil


St Fustina,venerated by a donor
Painting ID::  39609
St Fustina,venerated by a donor
mk150 c.1530 Poplar 200x139cm
mk150 c.1530 Poplar 200x139cm
   
   
     

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     MORETTO da Brescia
     Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.

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